IMG_2021 Com Ex Julianne Swartz
-
- As an open-sourcing of my own access, my work makes visible the opportunities for learning and knowing that become available through the non-visual senses.
-
- Often requiring trust and closeness, these engagements disorient the participant while introducing new modes of orientation that allow for perceptual and sensorial discovery.
-
- Each walking tour, workshop, collaborative performance, public intervention, museum project and art object that I produce is a temporary system of access—a gesture that contributes to a productive understanding of accessibility.
-
- I design experiences that allow those involved to expand their perceptual mobility and claim access to public and institutional spaces.
-
- Aki Sasamoto prepares to tell stories from her food cart.
-
- Smith’s chair will be a mobile work of public art moving into and out of public spaces throughout the summer.
-
- Allison Smith shares her oversized Windsor armchair with Judith Leeman.
-
- Smith presents an oversized sack-back Windsor armchair ( also called a “double Windsor”) that is large enough to encompass sitters in its sculpted saddled oval seat.
-
- Allison Smith presents a site-specific project engaging the Cambridge Common and its history within broader concepts of “the commons” as a utopian ideal and critical site of communication and exchange.
-
- The conversations prompted by Smith, explore a series of individual functional objects, like the chair itself, suggest a social and poetic response to the politics of our time.
-
- One of many musicians performing throughout the Common as part of Xaviera Simmons’ Number 22 ( Overlay)
-
- One of many musicians performing throughout the Common as part of Xaviera Simmons’ Number 22 ( Overlay)
-
- Julianne Swartz’s We Complete invites visitors to launch a soundtrack by simply sitting and holding hands.
-
- People connect to hear voices through speakers in Interactive bench by Julianne Swartz.
-
- Sign lists audio from James Baldwin, John Donne. Walt Whitman, Bernie Sanders, Erich Fromm, Maya Angelou, Dorothy Day and many other quotable notables.
-
- One of many banners with personal memories of Cambridge residents developed by Kelly Sherman.
-
- One of many banners in We Were Here:memories of Cambridge Common coordinated by Kelly Sherman.
-
- Cooperative touch performs public address.
-
- manifesting connectivity in a joyous and playful encounter.
-
- Songs, poetry, and quotations echo from a marked bench as two people sit and touch hear-shaped plates to complete an electric circuit to run the speaker system,
-
- Signs like this placed at points throughout the Cambridge Common offered schedule updates.
-
- Food Rental uses a familiar park fixture of a pushcart to dispense unexpected and often hilarious acts by the artist.
-
- Aki Sasamoto presents Food Rental in which she operates a handmade food cart to deliver one-on-one performances for visitors to Cambridge Common.
-
- and dancing with vegetable-chopping shoes.
-
- wearing lemon glasses, playing oyster-shell castanets
-
- True to its context, Sasamoto features food-related projects that operate on the logic of “mis-use:”
-
- Carmen Papalia leads eyes-closed walk through Cambridge Common in May 2017.
-
- Photo from a similar walk through the Common in May 2017
Art Outdoors 