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- LeWitt’s wall drawings are both conceptually driven and visually appealing, even decorative.
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- Emphasizing geometry and repetitive patterns in his work, Sol LeWitt brought recognition to the Conceptual Art movement in the 1960s.
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- As is typical of LeWitt’s work, a group of assistants executed this piece, guided by precise written instructions and diagrams from LeWitt, who wrote that the artist’s idea “becomes a machine that makes the art.”
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- Over the following years his art became both increasingly complex and increasingly playful, and around 1980 he began to incorporate bright colors in his wall drawings.
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- Although conceptual artists generally deemphasize the appearance of a work of art, instead highlighting the ideas that determine its form,
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- The Wild Project, 2013, New York, NY
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- Studio, 2016, Halsey McKay Gallery, East Hampton, NY
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- 2016, NADA Miami Beach, Halsey McKay Gallery, Miami, FL
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- Studio, 2016, Halsey McKay Gallery, East Hampton, NY
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- Wall Drawing 1112 Square with broken bands of color. December 2003 Acrylic paint LeWitt Collection, Chester, Connecticut
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- Wall Drawing 1152 Whirls and Twirls. (Met) April 2005 Acrylic paint LeWitt Collection, Chester, Connecticut
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- MOTIFS, 2012, Halsey McKay Gallery, East Hampton, NY
Art Outdoors 