Of the seven Massachusetts State House statues listed on the Public Art Walk, three are by women, each from a different generation. This prompts me to present them in time order, with basic facts, key links, and selected quotes.

A blog called Art Outdoors cries out for posts about Storm King Art Center, a grand-scale sculpture park. Finally, I feel ready to respond, with a few starting notes, photos, and links. 

Glad to share another inspiring example of art and nature study combined.

This photo, the moth, and the site Cambridge Outdoors are great sources of art outdoors for me.

Planned by landscape architect Catherine Melina and sculptor Judy Kensley McKie, this memorial to victims of homicide provides a pathway and suggests a journey.

In connection with the exhibition Expanding Abstraction at the deCordova Museum (April 7—September 17, 2017) the museum’s Process Gallery highlights the art of Ursula von Rydingsvard and other women artists with work in deCordova Sculpture Park. I’m posting now to extend the connection to a recent monumental sculpture by Ursula von Rydingsvard at MIT.

Lately I’ve been motivated by my goal to post about every woman artist with work on the Boston Public Art Walk before Women’s History Month next year. Sudden Presence is Beverly Pepper’s Cor-ten steel sculpture on that walk. Suddenly I saw how much I had been missing.

I chose to focus on Mags Harries now because her work is currently featured at the Boston Sculptors Gallery and also within an exhibit at the deCordova Museum through this summer. I’ll hope to have other opportunities to express my enthusiasm for what this inspiring artist has done and is still doing.

This post from Global Art Junkie raised my awareness and also a sudden question: Is an underwater museum a form of art outdoors? My guess is yes. What is yours?

Four of the six fountain sculptures in the Boston Public Garden were created by women.The sculptures in these four fountains are smaller scale than the two by men. All four are bronze on granite bases in the center of bricked basins. The women artists depicted children or animals rather than grand heroic or symbolic beings.