Category landscape architecture
Here is my record of seasonal decorations in the front yard of a historical house near me in Cambridge: William James House at 95 Irving Street. Most of the photos here focus on the tree and fence, though the steps, porch, and roof have also been transformed for several holidays. This post just keeps track of the leaves, blossoms, lawn, and snowfall as they interact with holiday shapes and colors people placed within the landscape.
Restored and New Art Combine in Renovated Clarendon Avenue Playground: Bronze Birds by Juliet Kepes with Leaf-Pattern Fence by Bart Uchida
In 1980, artist Juliet Kepes designed five bronze birds for the brick walls of Clarendon Avenue Park in Cambridge. A longtime admirer of her children’s book illustration, I wasn’t aware of her range of creative work until a few years ago when I read the Cambridge Arts/ Public Art listing below. By the time I managed to visit the park in 2019, it was closed off for extended renovations after almost forty years of use. ….
Recently I learned that the renovated park had opened, so I headed there one early evening in July. The bronze birds were back, set against a stone wall that replaced their brick background. Floral plantings enhanced their new setting, with the promising addition of a flowing plant-patterned fence that certainly added to my appreciation of the whole park.
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.
Artists Help Us Learn from Trees: Maren Hassinger and Josephine Halvorson at deCordova Sculpture Park
Josephine Halvorson’s Measure (Tree) and Maren Hassinger’s Monuments 3 and 6 have expanded my range in relating to trees. That is true for several other artworks at deCordova Sculpture Park and Museum, so I’ll hope to follow up in future posts with more examples. But I’ll start with these two artists because their processes give specific attention to trees. Measure (Tree) involved the artist in close observation while painting a tree’s elements onto a wooden plank. Both Monuments involved many people in carefully weaving assorted branches of local trees into geometric structures and patterns. Quotes from the Trustees website explain more. Links to each artist’s site offer context. My photos give glimpses of the presence of these artworks among trees in the park in different seasons.
While kept apart from most indoor art throughout the spring of 2020, I became especially grateful for the outdoor art in Radcliffe Yard. I managed to post about one sculpture then, with intentions to mention more. Here now is a broader view that encompasses other highlights of Radcliffe Yard.
As playgrounds have cautiously reopened, I can happily share photos of art by Mitch Ryerson and Gail Boyajian. This lifts my own sad restrictions on earlier posts about these artists and others with work outside Maud Morgan Arts. Now I can show and celebrate art that was meant to be where children play.
Maybe best to show some of what I have seen lately along this pertinent passageway without trying to explain why I didn’t post earlier. I hope the links and quotes will give you ways to appreciate the efforts and effects of this public art project completed in 2006.
My recent post about James Tyler’s Ten Figures in Davis Square led me to search out and visit his fourteen-foot tower of fifty bronze portraits completed in 1986.