Category art history
Though I visited and photographed Daniel Gordon’s art on the Greenway in 2021, I didn’t get to post about it. I kept meaning to go back for better photos and then the art was gone. But there are better photos and valuable perspectives in the Key Resources from Wonderland, WBUR, and Daniel Gordon’s own website, all quoted and listed here. Also now I want to document the transformations created by all nine Dewey Square murals in the past ten years.
Jaume Plensa’s Humming came to deCordova Sculpture Park almost ten years ago, generating innumerable reminders of how powerful sculpture can be. As a guide at the park, Humming has given me reliable ways to connect with others about how and why a tall translucent entrancing head might come to be. Humming has brought perspective to other art in the park, and it has led me to more sculpture by the same artist as well.
In the early 1980’s artist Vusumuzi Maduna created two monumental sculptures inspired by African masks; “Inner City Totem I” outside the Cambridge Community Center and “Inner City Totem II” outside Margaret Fuller House. Sadly stressed by decades of New England seasons, both were recently restored in ways that should help them stand through countless decades ahead. Here are photos from my visits to each site this month with quotes from key resources about the art, artist, and restoration.
Artists Myoung Ho Lee and B. Wurtz both focus carefully on single trees in these two samples from larger projects that reflect their own unique creative processes. Their artworks thrive on the trees and sky through seasonal or daily changes of their current settings in deCordova Sculpture Park. My iPhone photos here hint at those, while quotes give basic background. Links (in red) to intriguing resources reveal fascinating features of both artists’ approaches and results.