Who Restores the Art Outdoors? Clues in Cambridge Examples: William Reimann’s Bollards and Bland Hoke’s “Artesian Well”
As I have visited and revisited local art outdoors for many years, I’ve seen how artwork can be worn down by time, weather, and all imaginable events. Luckily, also I have seen how artwork can be restored by planful focused funded teamwork. For example, here are photos, quotes and links with hints of how change happened at two sites in Cambridge.
Though I visited and photographed Daniel Gordon’s art on the Greenway in 2021, I didn’t get to post about it. I kept meaning to go back for better photos and then the art was gone. But there are better photos and valuable perspectives in the Key Resources from Wonderland, WBUR, and Daniel Gordon’s own website, all quoted and listed here. Also now I want to document the transformations created by all nine Dewey Square murals in the past ten years.
My Saturday afternoon visit to David Phillip’s sculptures along St. Botolph Street was an opportunity to see many young students with string instruments heading to or from lessons and rehearsals. The transported instruments heightened my awareness that each sculpture referenced parts of cellos and violins. This post includes a few photos from that October day plus quotes and links that offer background and pertinent information about the artist’s work. Quotes among the photos all come from one source, which gives perspective on the funding by Tony Lopes for David Phillips’ art: “Sandwich Artist Creates Sculptures For New England Conservatory” by JOANNE BRIANA-GARTNER in Cape News, Sept 2022
Enticed by a notice from NOW+THERE about the current installation of Claudia Comte’s Five Marble Leaves in Central Wharf Park, I visited on a sunny October morning. During a delightful half-hour documenting with my iPhone, I began to plan a first post that would convey the captivating combination of artwork and setting. I hope these photos, quotes, notes, and links meet that goal now or soon after further adventures in the park.
This post is a brief follow-up to the earlier one with images and quotes about the mural in progress during June 2022, crammed with quotes and links. The focus here is on how and why Rob “Problak” Gibbs incorporated gold and purple within the mostly black, gray, and white range of the main images.
The first post about Art Rambe 2022 gives a brief overview, plus photos and notes about work by five of the eleven artists. This second post follows with focus on three other artists. A third post, coming soon, should include installations by three more. Each artist’s website should take you to additional views of their installations and more comprehensive information about their creative work. Whether or not I post beyond those, Art Ramble 2022 is sure to yield new discoveries as autumn advances.
My first visit to Art Ramble 2022 was the rewarding Walkabout and Artist Reception on Saturday, September 17. Engaged, enlightened and excited by presentations from several artists and curator Stephanie Marlin-Curiel, I wanted to share their stories as soon as possible. Yet I was short on time to take, process, select and organize photos that justly represent the art. This post mostly gives the overview, with quotes, notes, and links that should entice you to visit soon or otherwise explore online. Meanwhile I’ll plan on further opportunities to visit and focus on additional artworks in October. This post includes art by five of the eleven artists : David Ardito, BARD, Laurie Bogdan, Robert Greene, Rebecca McGee Tuck