Who Restores the Art Outdoors? Clues in Cambridge Examples: William Reimann’s Bollards and Bland Hoke’s “Artesian Well”
As I have visited and revisited local art outdoors for many years, I’ve seen how artwork can be worn down by time, weather, and all imaginable events. Luckily, also I have seen how artwork can be restored by planful focused funded teamwork. For example, here are photos, quotes and links with hints of how change happened at two sites in Cambridge.
Based on September and October visits to 2021 Art Ramble, I add this fourth post, which features installations by BARD, Martha Heller, and Kiyomi Yatsuhashi. As in the three earlier posts, artist names, installation title, materials and quotes from the artists’ statements about their installations appear above my photos. Quotes and links are from The Umbrella Arts & Environment Website headed 2021 Art Ramble: Something in the Air.
Jaume Plensa’s Humming came to deCordova Sculpture Park almost ten years ago, generating innumerable reminders of how powerful sculpture can be. As a guide at the park, Humming has given me reliable ways to connect with others about how and why a tall translucent entrancing head might come to be. Humming has brought perspective to other art in the park, and it has led me to more sculpture by the same artist as well.
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Titles of Sculptures Signal Ways to See Them: Falling Man by Douglas Kornfeld, Resurgence by David Kasman
Two sculptures near my house meant more than ever to me on January 20, 2021, with the inauguration of Joe Biden and Kamala Harris. Maybe just the images are enough to explain my emotions, but I might find words, or you might add them, to affirm how directions make a difference at critical moments. Meanwhile here are some photos and facts.