Jaume Plensa’s Humming came to deCordova Sculpture Park almost ten years ago, generating innumerable reminders of how powerful sculpture can be. As a guide at the park, Humming has given me reliable ways to connect with others about how and why a tall translucent entrancing head might come to be. Humming has brought perspective to other art in the park, and it has led me to more sculpture by the same artist as well.
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Selected and funded by Percent-for-Art program in Cambridge, Monique Aimee proposed, planned, and painted her mural on all sides of the four tall brine tanks along the lot for Saint Peter’s Field. She began near the end of June and finished near the end of August. My photos here come from a few visits there throughout the summer. The links should take you to videos and exciting photos of the work in progress on Monique Aimee’s Instagram site: https://www.instagram.com/moniqueaimee/ The quotes here should give background that lets you visit in person or online.