If you enter Harvard Yard from Quincy Street near its intersection with Massachusetts Avenue, watch for the rushing rabbit, grinning cat, top hat, and other small images in the tall black ironwork of the gate completed in December 2020. These might entice you to stop and look for more connections to “Alice in Wonderland” or to a world of children’s books.
Artists Myoung Ho Lee and B. Wurtz both focus carefully on single trees in these two samples from larger projects that reflect their own unique creative processes. Their artworks thrive on the trees and sky through seasonal or daily changes of their current settings in deCordova Sculpture Park. My iPhone photos here hint at those, while quotes give basic background. Links (in red) to intriguing resources reveal fascinating features of both artists’ approaches and results.
After more than two years of winning devoted fans and welcoming many special guests, “Colony” created by Christopher and Basil Frost is due to depart before October ends. When I visited for an emotional last look, I was glad to find that two new birdhouses nearby were ready for first looks, both full of their own appeal and promise.
Selected and funded by Percent-for-Art program in Cambridge, Monique Aimee proposed, planned, and painted her mural on all sides of the four tall brine tanks along the lot for Saint Peter’s Field. She began near the end of June and finished near the end of August. My photos here come from a few visits there throughout the summer. The links should take you to videos and exciting photos of the work in progress on Monique Aimee’s Instagram site: https://www.instagram.com/moniqueaimee/ The quotes here should give background that lets you visit in person or online.
Judy McKie’s bronze cat benches and Jay Coogan’s aluminum dogs and cats were kept off location during extensive construction of Cambridge Public school and library properties where they had become favorite features. Soon after they returned ready to resume their roles, the closing of all schools and libraries in March 2020 cut short the opportunities for children and adults to interact with them again. Though I had found opportunities to admire and photograph these artful animals, I didn’t want to share the images until the sculptures could be part of daily life once more.