Though I visited and photographed Daniel Gordon’s art on the Greenway in 2021, I didn’t get to post about it. I kept meaning to go back for better photos and then the art was gone. But there are better photos and valuable perspectives in the Key Resources from Wonderland, WBUR, and Daniel Gordon’s own website, all quoted and listed here. Also now I want to document the transformations created by all nine Dewey Square murals in the past ten years.
Enticed by a notice from NOW+THERE about the current installation of Claudia Comte’s Five Marble Leaves in Central Wharf Park, I visited on a sunny October morning. During a delightful half-hour documenting with my iPhone, I began to plan a first post that would convey the captivating combination of artwork and setting. I hope these photos, quotes, notes, and links meet that goal now or soon after further adventures in the park.
From 10 a.m. till 4 p.m., explore a row of 15 different ice sculptures on display in Fiedler Field, each of the three days: Friday, Saturday, Sunday. Quotes and links give background and perspective.
Here is my record of seasonal decorations in the front yard of a historical house near me in Cambridge: William James House at 95 Irving Street. Most of the photos here focus on the tree and fence, though the steps, porch, and roof have also been transformed for several holidays. This post just keeps track of the leaves, blossoms, lawn, and snowfall as they interact with holiday shapes and colors people placed within the landscape.
Guided by the very helpful interactive map on the GO OUT DOORS NEIGHBORS!, Arts Arlington, I have visited most of the 2021 doors. I hope to see them all before November ends, when they’ll be kept safe from the threats of winter weather. Then I will watch for their return in spring 2022 and for newly created doors as well. If able, I will want to show and tell more about “Go Out Doors” beyond Arlington.* Meanwhile here are names, art titles, links ( click on artists’ names in red for their websites), and quotes for the doors I’ve seen so far.
Engulf mural , Lincoln Street Triangle, about three blocks southwest of South Station, created by Juan Travieso in 2019 is up through October 2021. Sometimes obscured by cars and trucks in its adjacent parking lot, the long low wall space is notably less visible from a distance than the tall Greenway mural wall in Dewey Square. Additionally, the mural’s lifespan has coincided with pandemic limitations on travel and social activity. I’ve visited twice and hope to go again before it’s gone, while wishing I could do more to convey the visual drama and mystery generated by Juan Travieso ‘s Engulf.
All I can offer so far is to post segments of the mural with captions quoted from the Artist Statement to focus on the issues that are motivating Juan Travieso’s creative work. This should help me recall what I saw at the wall and discover design elements I didn’t absorb at the time. Maybe it will connect with someone who missed the chance to be there, or might still have that chance.
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
Circles Unify Art by Laura Baring-Gould and Mags Harries/Lajos Héder in Drinking Fountains Revived Around Fresh Pond Reservoir
For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.