Category environmental education
The first post about Art Rambe 2022 gives a brief overview, plus photos and notes about work by five of the eleven artists. This second post follows with focus on three other artists. A third post, coming soon, should include installations by three more. Each artist’s website should take you to additional views of their installations and more comprehensive information about their creative work. Whether or not I post beyond those, Art Ramble 2022 is sure to yield new discoveries as autumn advances.
My first visit to Art Ramble 2022 was the rewarding Walkabout and Artist Reception on Saturday, September 17. Engaged, enlightened and excited by presentations from several artists and curator Stephanie Marlin-Curiel, I wanted to share their stories as soon as possible. Yet I was short on time to take, process, select and organize photos that justly represent the art. This post mostly gives the overview, with quotes, notes, and links that should entice you to visit soon or otherwise explore online. Meanwhile I’ll plan on further opportunities to visit and focus on additional artworks in October. This post includes art by five of the eleven artists : David Ardito, BARD, Laurie Bogdan, Robert Greene, Rebecca McGee Tuck
Sophy Tuttle’s Murals Bring Buildings Brilliantly to Life: INTERCONNECTED and PROTECTING NATIVE PLANTS & POLLINATORS
Here are photos, quotes and links for two different but related murals: INTERCONNECTED on Western Avenue in Allston and PROTECTING NATIVE PLANTS & POLLINATORS on Massachusetts Avenue in Arlington.
Guided by the very helpful interactive map on the GO OUT DOORS NEIGHBORS!, Arts Arlington, I have visited most of the 2021 doors. I hope to see them all before November ends, when they’ll be kept safe from the threats of winter weather. Then I will watch for their return in spring 2022 and for newly created doors as well. If able, I will want to show and tell more about “Go Out Doors” beyond Arlington.* Meanwhile here are names, art titles, links ( click on artists’ names in red for their websites), and quotes for the doors I’ve seen so far.
Based on September and October visits to 2021 Art Ramble, I add this fourth post, which features installations by BARD, Martha Heller, and Kiyomi Yatsuhashi. As in the three earlier posts, artist names, installation title, materials and quotes from the artists’ statements about their installations appear above my photos. Quotes and links are from The Umbrella Arts & Environment Website headed 2021 Art Ramble: Something in the Air.
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
To follow up on earlier posts, here are views from recent rides ( June 2021) on the bike path through Arlington and Somerville, plus links to rich resources about both artists and community arts organizations.
More than a year ago, three artists adorned all sides and surfaces of three different pumphouses on the Esplanade. I had meant to connect and celebrate these accomplishments at that time. Now at the start of a new year, I can do that with additional appreciation of their presence. Though pumphouses along the Charles River have always been essential in regulating water drainage, their cement block structures were neglected and defaced until funds from the Esplanade Association allowed artists to transform their appearances in 2019.
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.