Category interactive art
Dominic Killiany’s Art Enlivens Playground, Gallery and Vision
Indoor experience of the scale, range, development and intricacies of Killiany’s work enriched my connections with his art throughout the playground. The exhibit, up until the end of August, is an opportunity for adults and children to understand this artist’s creative vision. Here are my photos, with quotes and links to resources that can add to your appreciation of Killiany’s art, whether or not you are clambering around it.
Meet “The Embrace” Sculpture by Hank Willis Thomas on Boston Common, January 2023
On the cold rainy morning after the very crowded unveiling ceremony of January 13, 2023, I began to explore “The Embrace” on the Boston Common’s new ‘1965 Freedom Plaza.’ Here are a few photos, links, and quotes selected for this first in what could become a series of related posts in the years ahead. The focus of this post is the sculpture itself, with basic information about the Freedom Plaza and broader plans from Embrace Boston.
Who Restores the Art Outdoors? Clues in Cambridge Examples: William Reimann’s Bollards and Bland Hoke’s “Artesian Well”
As I have visited and revisited local art outdoors for many years, I’ve seen how artwork can be worn down by time, weather, and all imaginable events. Luckily, also I have seen how artwork can be restored by planful focused funded teamwork. For example, here are photos, quotes and links with hints of how change happened at two sites in Cambridge.
Large Marble Leaves by Claudia Comte Shine beneath Tall Oak Trees in Central Wharf Park
Enticed by a notice from NOW+THERE about the current installation of Claudia Comte’s Five Marble Leaves in Central Wharf Park, I visited on a sunny October morning. During a delightful half-hour documenting with my iPhone, I began to plan a first post that would convey the captivating combination of artwork and setting. I hope these photos, quotes, notes, and links meet that goal now or soon after further adventures in the park.
Continue with 2022 ART RAMBLE, “In the Balance,” Focus on Three More Artists: Paul Angiolillo, Carolyn Enz Hack, Jose Trejo-Maya
This third post completes the series of related posts for 2022 ART RAMBLE, “In the Balance,” with photos, quotes, and links for three more of the eleven artists* (four more of the seventeen installations*). The first post includes an overview. All three note the curator talk on October 16 and other valuable resources. Whether I post again before the final day, November 19, I intend to revisit and reflect on significant connections between the forest and the artworks!
Visit 2022 ART RAMBLE “In the Balance” for Connections and Perspective
My first visit to Art Ramble 2022 was the rewarding Walkabout and Artist Reception on Saturday, September 17. Engaged, enlightened and excited by presentations from several artists and curator Stephanie Marlin-Curiel, I wanted to share their stories as soon as possible. Yet I was short on time to take, process, select and organize photos that justly represent the art. This post mostly gives the overview, with quotes, notes, and links that should entice you to visit soon or otherwise explore online. Meanwhile I’ll plan on further opportunities to visit and focus on additional artworks in October. This post includes art by five of the eleven artists : David Ardito, BARD, Laurie Bogdan, Robert Greene, Rebecca McGee Tuck
Take in Bike Tour of Public Art in Cambridge: Central Square, Cambridgeport, and Riverside
This post notes outstanding outcomes of an exciting event one perfect evening in late July 2022: the beautifully organized free bike tour of Cambridge public art between Central Square and the Charles River. 1. Bike-riders of all ages gathered outside the Central Square Library for an overview of art around the library and along the planned route of the whole tour. Cambridge police and attentive volunteers guided everyone safely through the sunset finale. 2. The tour is now engagingly documented in a 2-minute video. 3. The route has become a self-guiding tour for cyclists, though certainly adaptable to walkers. Facts, links and videos on the tour site are informative and intriguing for interested readers far from Cambridge. 4. The whole experience even elevated my already towering enthusiasm for public art!
Take Part in Public Art at Universal Design Playground, Danehy Park, Cambridge
With great enthusiasm, I share my recent discoveries of three public art projects within the relatively new Louis A. DePasquale Universal Design Playground: 1. Mitch Ryerson’s “Sensory Hilltop,” 2. NuVu Studio’s “Pipe Dreams,” 3. Dominic Killiany’s paintings. Here I simply build on background in earlier ART Outdoors posts about Mitch Ryerson’s playground design, but the other two were new to me: Nu Vu Studios, the Innovation School in Central Square Cambridge, and Dominic Killiany, an artist with autism. I hope the photos, quotes, and links add to your own explorations.
Bottle Trees on Brattle Street Bring Histories to Light: “Forgotten Souls of Tory Row”
Several times this summer I have viewed and visited the bottle trees on the History Cambridge lawn. I hope to keep revisiting till they’re gone, April 2023. For now, I’ll share photos, quotes, and links that help me appreciate, understand, and reflect on an enlightening project, “Forgotten Souls of Tory Row: Remembering the Enslaved People of Brattle Street.”
ART SCRIM Extends Possibilities for Public Art Outdoors, as shown by Yenny Hernandez, Anna Dugan and Deborah Johnson
Each of these three artists has created several fabric panels that transform stretches of metal construction fencing near the intersection of Harvard Street and Western Avenue in Allston. One, Anna Dugan, incorporated concrete Jersey barriers as well. All three worked out their own distinctive series of panels printed on scrim, a lightweight durable translucent textile that has long been used in theater sets. Daylight, street light, clouds, the sky itself, and any machinery or equipment behind the fence can add variables to our view. Whether driving by or standing near, we respond to these shifting features. I grew more aware of such changes as I photographed the art. In fact, I felt that each artist had recognized and successfully addressed the possibilities of scrim.
Art Outdoors 