Continue with 2022 ART RAMBLE, “In the Balance,” Focus on Three More Artists: Paul Angiolillo, Carolyn Enz Hack, Jose Trejo-Maya
This third post completes the series of related posts for 2022 ART RAMBLE, “In the Balance,” with photos, quotes, and links for three more of the eleven artists* (four more of the seventeen installations*). The first post includes an overview. All three note the curator talk on October 16 and other valuable resources. Whether I post again before the final day, November 19, I intend to revisit and reflect on significant connections between the forest and the artworks!
In September, after my first visit, I posted an overview with focus on four artworks and a plan to return for additional explorations. Now, selecting from photos in my second visit, early October, I focus in this sequel post on artworks about animals with wings.
Begin with a new installation Confluence by Laurie Bogdan and Kimberley Harding. Then follow a path enriched by continuing presence of earlier installations, : Colony III, Current, Persistence, ExtraOrdinary Birds.
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
Circles Unify Art by Laura Baring-Gould and Mags Harries/Lajos Héder in Drinking Fountains Revived Around Fresh Pond Reservoir
For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
After more than two years of winning devoted fans and welcoming many special guests, “Colony” created by Christopher and Basil Frost is due to depart before October ends. When I visited for an emotional last look, I was glad to find that two new birdhouses nearby were ready for first looks, both full of their own appeal and promise.
Six weeks over and just two weeks left, I took the golden opportunity of a sunlit October morning to take the trail through Hapgood-Wright Town Forest around Fairyland Pond and enjoy fourteen temporary art installations connected by the theme, Witnessing Change. I hope to go again before it ends November 1 and to convince anyone who can to go as well. Each stop on Art Ramble 2019 offers an enlightening way to engage with some aspect of the forest.