The exhibit “Rust Happen(s): Caring for the Public Art Collection” opened at Cambridge Arts Gallery 344 in March, but I didn’t get there till the end of June. It will close on July 19, 2024. I’m posting quickly now to maximize remaining time for you to enjoy this revelatory exhibit.
My first and only visit to the monument so far was for the artist’s enlightening talk on Dedication Day, May 18. I plan to return often, eager to absorb everything sculptor Meredith Bergmann’s amazing artwork offers. Meanwhile here are quotes, resources and a few photos to guide your own visit, online or in person.
One Visit Revealed at Least Twenty More Great Reasons to Return!
This post is focused on the four “anchors” of the exhibit: sculptures by R. Douglas Rice, David Adilman, Chris Plaisted, and John BonSignore. Links to each artist’s website are listed under KEY RESOURCES.
Soon I hope to focus on the thirteen listed Augmented Reality sites plus several other enticing sidelights* of Winchester Riverwalk. * plants, animals, water structures, photo cubes, art tiles
George the Giraffe, Big Poppy, and Elly the Elephant still grace the Somerville Community Path on both sides of the Cedar Street intersection. More than five years have passed since they first mysteriously appeared.All three bright sturdy animal characters continue to turn delighted heads of people passing, in familiar greeting or surprise! Bikers, walkers, runners, and school groups still stop by to set them in motion, with a reliable, satisfying sense of effort. Now finally I feel free to confirm that Hayward Zwerling created them! A recent Globe article, April 2024, by Spencer Buell reveals their stories, with great supporting photos.My main goal here is to enthusiastically share links to the Globe article* and to valuable related resources ( videos, context) on Hayward Zwerling’s website.
Generations” – “Generaciones”i nstalled September 2023, Harbor St/Congress St, Salem:
Visits to “Generations” – “Generaciones” on site or online (or both, many times) will powerfully connect us to people and events in the history of a significant part of Salem. This mural is just one of many that David Fichter has designed for numerous communities to relate dramatic moments and human interactions in their history. Families, school groups, and anyone attentive to what’s happening up on the wall will find lots to enjoy and discuss! This post offers quotes, links, and photos that should lure you to explore “Generations” – “Generaciones !”
This third post about “TAPPED IN” completes my plan to focus on artwork by all ten artist-scientist pairs in the exhibit. The pairs represented here are Mags Harries/ Nadia Szeinbaum, Victor Pacheco /Paul Kirshen, and Casey Figueroa /Terrius Harris.
THE UMBRELLA ARTS CENTER, 40 STOW STREET, CONCORD, MA, APRIL 11 – JUNE 8, 2024
“The exhibit aims to touch hearts and minds, fostering change through art that visualizes the impact and implications of the scientists’ work.” ( quote from TAPPED IN , Umbrella Arts Center)
This second post about “TAPPED IN” opens with an update about important connections between the outdoor installation and the indoor gallery space. The indoor gallery presented images, materials and explanatory text for each outdoor artwork and the whole exhibit theme. In early May, all indoor elements for “TAPPED IN” gave way to a different exhibit in the gallery space. All outdoor art remains up through June 8. Key resources* for “TAPPED IN” continue on the Umbrella Arts website. However, one of the ten artist-scientist pairs’ work was only represented in the indoor space. That was the compelling wall display by Ilana Manolson with Janine Benyus.
The Umbrella Arts Center, 40 Stow Street, Concord, MA, April 11 – June 8, 2024 “TAPPED IN” is an innovative art installation at the intersection of art and science that combines outdoor public art with an indoor educational gallery display. Inspired by the concept of ‘edges’ in ecosystems, “TAPPED IN” celebrates the dynamic intersections where diverse influences meet, bringing together ten artist-scientist pairs* to offer fresh perspectives on climate change, CO2 mitigation and action.”
Without the dramatic light changes of a total eclipse, this party in Kingsley Park offered creative ways to engage with and understand the significant event above us. I was impressed with the availability of learning resources and supportive volunteers. Here are a few photos of what I glimpsed when I wasn’t peering through eclipse glasses or other devices.
I have long planned and should soon include an ART OUTDOORS page for Utility Boxes as Public Art with resources about this special art form. The current post is a first step in committing to the plan.
Why are Utility Boxes Great Sites for Public Art? Six answers and several examples follow.
Art by Christos Hamawi ( Boston), Pom Poison ( Somerville, Laurie Bogdan, Karen McCarthy (Arlington), Molly Scannell ( Arlington)
Art Outdoors 