Tag Archives: Arlington Public Art
After more than two years of winning devoted fans and welcoming many special guests, “Colony” created by Christopher and Basil Frost is due to depart before October ends. When I visited for an emotional last look, I was glad to find that two new birdhouses nearby were ready for first looks, both full of their own appeal and promise.
Alerted by the Somerville Arts Council newsletter, I found my way to “Annex,” Christopher Frost’s newly completed installation on the Somerville Community Path bike trail near Willow Avenue.
My January journey to this temporary art, up since mid-December, inspired me to track down information, stories, and colorful images that are best enjoyed on Eileen de Rosas’ website under Public Art.
This fall brought opportunities to see three new works of art, each with different scale and surface, but in the same distinct compelling style of one artist, James Weinberg. Plants, animals, and sky appear in all three, adapted to the materials and dimensions assigned to their creation. A large brick wall, a framed glass structure, and the paper pages of a picture book serve as stages for dynamic dramas.
After two visits in the past month, I hope to make many more in the three seasons ahead before Colony leaves its maple tree on the Minuteman Bikeway. The photos in this post are mine but the links below will lead to more varied and vivid ones, including the installation process. The quotes below also give background about Christopher Frost and will suggest why I have seized the opportunity to share my enthusiasm for his spirited splendid sculpture!
This is my third post about these two artworks, though I have visited almost monthly and would gladly visit more often as local runners, walkers, and bikers likely do. This post simply offers my recent photos (May 31, June 9, 2018) with ever-growing appreciation of what trees and artists can do together.
Temporary Art Takes in the Expected Effects of Time and Weather After posting about two temporary art installations, “Ripple” and “Current,” in early autumn, I planned to revisit them at least once each month to see how they would survive seasonal changes. I did not know then how compelling both would prove to be, far beyond just curiosity. […]