Category Artists
Men in Cambridge Made by Women: Anne Whitney and Theo Alice Ruggles Kitson
The statues of Charles Sumner and the Hiker both connect to stories worth telling, well told in the quotes below. The Sumner statue story leads back to a much earlier Boston proposal that was rejected because the artist Anne Whitney was a woman. The Hiker statue story leads on to a much later time when fifty bronze replicas of Kitson’s original around the country became part of a scientific study.
Delight in temporary addition to Arts on the Line from 1983 at Porter Square T
Large lovely new nests rest on granite posts designed decades ago by William Reimann.
Please help me solve the mystery of who created the nests!
Eager for any clues or comments,
Deb Lee
Deborah.lee713@gmail.com
Elliott Kayser’s Art Adds Many Ways to Celebrate Year of the Pig along the Greenway
Eight lifelike, life-size terra cotta pigs, each representing a different native pig breed in China, have settled along the Greenway. Guided by a map, I found each one, informatively labeled, between the North End and Chinatown. I hope to keep visiting them as seasons change their surroundings and their interactions with people. “The year […]
IMAGINE (aka Sneha Shrestha) Shares Wondrous Ways to Brighten Brick, as in her Very Tall Mural in Cambridge
Here are images from my visits to IMAGINE’s recently completed mural in Cambridge and a few quotes from sources that describe her art. I hope that these will lead you to sites with fascinating scenes and stories that engage you in her process, purpose and perspective!
Steve Locke’s Temporary Art Makes Lasting Connections
This is my temporary post, mainly to let people in the Boston area know that Steve Locke’s temporary art will be gone from the Gardner’s front facade after January 21, 2019. If you can pause in its presence before entering the museum and again after leaving, you can sense its strength as a memorial. Yet if you miss that opportunity, you can still connect the stories of how the memorial for Freddie Gray came to be.
James Weinberg’s Art Transforms a Brick Wall, a Bus Shelter, and a Book Idea
This fall brought opportunities to see three new works of art, each with different scale and surface, but in the same distinct compelling style of one artist, James Weinberg. Plants, animals, and sky appear in all three, adapted to the materials and dimensions assigned to their creation. A large brick wall, a framed glass structure, and the paper pages of a picture book serve as stages for dynamic dramas.
Art Above Us: Cambridge Murals by David Fichter and Be Sargent
Almost caught up with some recent temporary art, I’ll share some views of three murals in my home city, Cambridge. Two, by Be Sargent, have been here for nearly twenty years. One, by David Fichter, has been for fourteen. All three begin above eye-level, so I had seldom made eye contact with the animals or people depicted.
Warming Warning: Welcome Art about Unwelcome Warmth
Installed on Harvard’s Science Center Plaza in October, David Buckley Borden’s artwork asks us to read, look, walk, sit, think and revisit until December 7.
“This educational installation is a co-creation of Harvard Forest Fellow David Buckley Borden and Harvard Forest Senior Ecologist Aaron M Ellison that combines art, environmental design, and science communication to convey global climate-change data and spur action on campus.” quote from description of their project on davidbuckleyborden.com
What do Edgar Allan Poe and Bill Russell Have in Common?
My answer to the title question: Both have statues created by women artists in Boston: Poe by Steff Rocknak and Russell by Ann Hirsch. The dedicated, thorough approach of each artist to her subject links both stories of how their artworks came to be.
Sensational, Subtle Fog x FLO Includes Five Temporary Installations along the Emerald Necklace
This post identifies what you need to find and/or find out about the five distinct but related fog sculptures now in Boston until October 31, 2018. My photos from visits to three of those sculptures remind me of how much can change from moment to moment and how far my images are from revealing the moving drama of the art.