Category bronze
Boston Women’s Memorial Resounds with Past and Present Voices
Boston Women’s Heritage Trail (BWHT) alerted me to a resonant event, Women and the Fourth at the Boston Women’s Memorial on Commonwealth Avenue. Joining Meredith Bergmann’s sculptures of Phillis Wheatley, Abigail Adams, and Lucy Stone, Executive Director Dr. Alexandria Russell read aloud from Frederick Douglass’s powerful 1852 speech, What To the Slave Is the 4th of July?
The Lexington Women’s Monument by Meredith Bergmann Brings Together and Celebrates Many, Many Inspiring Stories
My first and only visit to the monument so far was for the artist’s enlightening talk on Dedication Day, May 18. I plan to return often, eager to absorb everything sculptor Meredith Bergmann’s amazing artwork offers. Meanwhile here are quotes, resources and a few photos to guide your own visit, online or in person.
Meredith Bergmann, Sculptor of the Boston Women’s Memorial Speaks at Premier of Talking Statues, October 21
This quick post copies information and links (in red) with background about a significant event I wish I could attend. I do plan to follow up soon, after I experience these Talking Statues on Commonwealth Avenue Mall!
Meet “The Embrace” Sculpture by Hank Willis Thomas on Boston Common, January 2023
On the cold rainy morning after the very crowded unveiling ceremony of January 13, 2023, I began to explore “The Embrace” on the Boston Common’s new ‘1965 Freedom Plaza.’ Here are a few photos, links, and quotes selected for this first in what could become a series of related posts in the years ahead. The focus of this post is the sculpture itself, with basic information about the Freedom Plaza and broader plans from Embrace Boston.
Bronze Sculptures by Cyrus Dallin in Arlington Combine History and Humanity
New important plantings around Cyrus Dallin’s long-standing sculpture (since 1912) on the lawn of the Museum of Fine Arts Boston this summer made me realize how much I did not know about the sculptor. That led me to Arlington, where some of his significant works have braved all weather for over a century, and where the Cyrus Dallin Art Museum has developed valuable online resources about his works. A winter lull finally let me review my summer notes and photos for Dallin’s art in Arlington, where he lived in the first half of the twentieth century. Now I need to share some fascinating aspects of his art.
Metal Preserves and Transforms Features of Trees in Art by Ed Shay and Letha Wilson
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Titles of Sculptures Signal Ways to See Them: Falling Man by Douglas Kornfeld, Resurgence by David Kasman
Two sculptures near my house meant more than ever to me on January 20, 2021, with the inauguration of Joe Biden and Kamala Harris. Maybe just the images are enough to explain my emotions, but I might find words, or you might add them, to affirm how directions make a difference at critical moments. Meanwhile here are some photos and facts.
Art Grows from Trees: Alan Sonfist and Richard Rosenblum at deCordova
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.

