Category architecture
Art Raises Many Related Questions in Amazing Ways on the Boston Common: “What Do We Have in Common?” by Janet Zweig, now through October 24
Presented by NOW+THERE and Friends of the Public Garden, through wonderfully welcoming, attentive, versatile Guides.
I’ll post very quickly in case anyone who lives nearby can visit the Boston Common before this brief opportunity ends. I plan to return and post with more connections. Meanwhile here are a few photos from my first visit two days ago, with quotes from two informative rich resources: NOW+THERE and Friends of the Public Garden.
Breathe in Energy of 2021 Art Ramble: “Something in the Air”
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
“Arboreal Attire” and “Chairful Where You Sit” Extend History around Jason Russell House in Arlington
Sculpture by Leslie Wilcox, Poetry by Jessie Brown, Chairs Transformed by Many Artists: This post honors an inspiring event last Saturday (8/21/21) that reminded me, yet again, of how much public art keeps offering no matter how many challenges continue. Walking among at least thirty chairs and six tall trees with unique creative identities, I began to understand they all shared histories extended by artists’ careful appreciative attention. Also most chairs there were made with wood, so crafted originally from trees. Musical performances, poetry reading, artist talk, and many other happenings were free for anyone who visited the lawn of the historic Jason Russell House near Arlington Center.
That led me to this quick post ( with links, quotes, and key resources in red type) because the chairs are only up for bidding until September 5:
More Public Art Appears in Harvard Square: “Michelle the Blue Elephant”; Patricia Thaxton’s Mural
View two of a few recent additions to visual art in Harvard Square. I’ll save the rest for future posts. Both artworks involve creative use of fabric. Both are in settings that don’t always enhance viewing or documenting art. But as Patricia Thaxton notes on her printed mural “The Beauty of Everyday Living,” it is about joy and harmony “in spite of it all,…”, including unavoidable traffic, trash, and construction equipment. See photos, quotes, and links:
Temporary Art Leads to Ongoing Information from Harvard Museums of Science and Culture: PLAZA PAINT PROJECT
The person I saw painting attractive images on Science Center Plaza said she was not an artist, but she was creating interactive art to engage people with rich resources from the Harvard Museums of Science and Culture while the physical doors are still closed to visitors. She noted that the paintings on the plaza would be power-washed away in a few weeks. So once again I’ll post quickly to speed the news about temporary art before it goes.
Restored and New Art Combine in Renovated Clarendon Avenue Playground: Bronze Birds by Juliet Kepes with Leaf-Pattern Fence by Bart Uchida
In 1980, artist Juliet Kepes designed five bronze birds for the brick walls of Clarendon Avenue Park in Cambridge. A longtime admirer of her children’s book illustration, I wasn’t aware of her range of creative work until a few years ago when I read the Cambridge Arts/ Public Art listing below. By the time I managed to visit the park in 2019, it was closed off for extended renovations after almost forty years of use. ….
Recently I learned that the renovated park had opened, so I headed there one early evening in July. The bronze birds were back, set against a stone wall that replaced their brick background. Floral plantings enhanced their new setting, with the promising addition of a flowing plant-patterned fence that certainly added to my appreciation of the whole park.
Artists Resa Blatman and Christopher Frost Keep Up our Connections with Birds on the Bike Path
To follow up on earlier posts, here are views from recent rides ( June 2021) on the bike path through Arlington and Somerville, plus links to rich resources about both artists and community arts organizations.
Metal Preserves and Transforms Features of Trees in Art by Ed Shay and Letha Wilson
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Wonders of Children’s Books Wait within the Solomon Gate, Designed by Höweler + Yoon Architecture
If you enter Harvard Yard from Quincy Street near its intersection with Massachusetts Avenue, watch for the rushing rabbit, grinning cat, top hat, and other small images in the tall black ironwork of the gate completed in December 2020. These might entice you to stop and look for more connections to “Alice in Wonderland” or to a world of children’s books.
Murals by Sophy Tuttle, Solei, and Ann Lewis Highlight Pumphouses on the Charles River Esplanade
More than a year ago, three artists adorned all sides and surfaces of three different pumphouses on the Esplanade. I had meant to connect and celebrate these accomplishments at that time. Now at the start of a new year, I can do that with additional appreciation of their presence. Though pumphouses along the Charles River have always been essential in regulating water drainage, their cement block structures were neglected and defaced until funds from the Esplanade Association allowed artists to transform their appearances in 2019.
