Day by day, this space generates staged and spontaneous creative activity. I’m posting now with basic information (see Key Resources below) so that anyone who lives near enough, as I do, can truly be there while it’s still up in September. Photos from events I’ve been to might hint at how they were.
This post identifies what you need to find and/or find out about the five distinct but related fog sculptures now in Boston until October 31, 2018. My photos from visits to three of those sculptures remind me of how much can change from moment to moment and how far my images are from revealing the moving drama of the art.
For many years I had cast admiring glances at stretches of the Mystic River Mural while driving past the intriguing composite scenes. Always on the way to somewhere else, I never stopped or searched enough till recently to learn that the mural has been growing for more than twenty years!
Walking to my nearby Porter Square and a bit beyond in Cambridge, I visited murals that show elements of history in ways that suit this artform. You can learn and sense a lot about earlier centuries in Porter Square by walking the block that contains three related murals. You can take in the impact and origins of a significant statesman’s life by standing in the presence of the Tip O’Neill mural in North Cambridge.
“Carving Out Fresh Options,” Diptych Painting by Shara Hughes Leads Up to a Monumental Mural on the Rose Kennedy Greenway
The mural was scaled up about twelve times from the original painting, but also cropped and shaped to fit the curving, choppy features of the Greenway Wall (one side of the air intake structure building).
The diptych (two-part) oil painting will be on view at deCordova in the museum through May 2019, while the mural is up on the Greenway Wall in Dewey Square Park, Boston.
My plan to focus on murals for the summer led me to revisit three familiar ones in nearby Central Square, Cambridge: David Fichter’s “Potluck” and Daniel Galvez’s “Crossroads” and “Crosswinds.” Just in the short walk among those three, I became aware of five more wall-based art sites I’d want to share on Art Outdoors.
This is my third post about these two artworks, though I have visited almost monthly and would gladly visit more often as local runners, walkers, and bikers likely do. This post simply offers my recent photos (May 31, June 9, 2018) with ever-growing appreciation of what trees and artists can do together.
At the end of my self-assigned project of posting about women artists on Public Art Walk, I began to wonder how I could better share the fascinating discoveries that came from it. After listing the artists and my posts on a blog page last month, I wished for some ways to convey what I had learned beyond my own small base of friends, colleagues, and family. Now two organizations are doing what I wished for.
This final Friday in April, Greenway Art Ambassadors will lead a one-hour tour of phenomenal public art. The tour includes four engaging works of art, each within minutes of the next. All four are temporary; all four will likely be gone by next April, though new temporary art will take their places.
These current four have given me such valued visits, I’m hoping for still more time with each. I’m posting now to alert you to the tour before it’s over and to give basic background about the artists, their art and my appreciation of their time.
My first post about women artists represented on Public Art Walk Boston included art by both Anne Whitney and Theo Alice Ruggles Kitson on Commonwealth Avenue Mall. That was in March 2017. Now almost a year later, I will wrap up the promised project with their additional art.
Art Outdoors 