Category Sculpture
Temporary Art by Teresita Fernández Activates Harvard Yard until October 1: Autumn (…Nothing Personal)
Day by day, this space generates staged and spontaneous creative activity. I’m posting now with basic information (see Key Resources below) so that anyone who lives near enough, as I do, can truly be there while it’s still up in September. Photos from events I’ve been to might hint at how they were.
Sensational, Subtle Fog x FLO Includes Five Temporary Installations along the Emerald Necklace
This post identifies what you need to find and/or find out about the five distinct but related fog sculptures now in Boston until October 31, 2018. My photos from visits to three of those sculptures remind me of how much can change from moment to moment and how far my images are from revealing the moving drama of the art.
Late Spring Look at Artwork on the Bikeway: “Ripple” and “Current”
This is my third post about these two artworks, though I have visited almost monthly and would gladly visit more often as local runners, walkers, and bikers likely do. This post simply offers my recent photos (May 31, June 9, 2018) with ever-growing appreciation of what trees and artists can do together.
Uplifting Updates, Thanks to Boston Women’s Heritage Trail and Boston Art Commission
At the end of my self-assigned project of posting about women artists on Public Art Walk, I began to wonder how I could better share the fascinating discoveries that came from it. After listing the artists and my posts on a blog page last month, I wished for some ways to convey what I had learned beyond my own small base of friends, colleagues, and family. Now two organizations are doing what I wished for.
Art and Time on the Greenway: Year of the Dog, We the People II, Spaces of Hope, Balancing Act I and II
This final Friday in April, Greenway Art Ambassadors will lead a one-hour tour of phenomenal public art. The tour includes four engaging works of art, each within minutes of the next. All four are temporary; all four will likely be gone by next April, though new temporary art will take their places.
These current four have given me such valued visits, I’m hoping for still more time with each. I’m posting now to alert you to the tour before it’s over and to give basic background about the artists, their art and my appreciation of their time.
Anne Whitney and Theo Alice Ruggles Kitson Dealt with Men on Pedestals
My first post about women artists represented on Public Art Walk Boston included art by both Anne Whitney and Theo Alice Ruggles Kitson on Commonwealth Avenue Mall. That was in March 2017. Now almost a year later, I will wrap up the promised project with their additional art.
Clara Wainwright, Sydney Roberts Rockefeller, and other Artists Created Creature Pond
To keep up with the timing of my goal to post about women artists represented on Public Art Walk Boston, I’ll focus on the known facts now. This could lead to future posts with more fluent followup.
Nancy Schön Engages Us with Characters and Stories
Making my way through the list of twenty-two women artists represented on Boston Public Art Walk, I’ve grown more aware of how pivotal Nancy Schön has been to my own interest in public art. …Through the years I’ve watched or joined with adults and children of all ages interacting happily with distinctive animal characters from Make Way for Ducklings written and illustrated by Robert McCloskey, published 1941.
Horses and Humans: Deborah Butterfield Connects us through Art: Henry and Paint
Deborah Butterfield is one of the twenty-two women artists represented on Public Art Walk Boston. Her sculpture “Henry and Paint” is situated outside Copley Place. Visiting Henry and Paint through successive seasons of 2017, I saw them as distinct individuals bonded by their survival of changed surroundings.
Art on Bikeway in Arlington Endures in January Snow
Temporary Art Takes in the Expected Effects of Time and Weather After posting about two temporary art installations, “Ripple” and “Current,” in early autumn, I planned to revisit them at least once each month to see how they would survive seasonal changes. I did not know then how compelling both would prove to be, far beyond just curiosity. […]
