Category women artists
Connect to Concord with “Change is in the Air: Art Walk” through May
Following the map for Umbrella Artfest Earth Day Art Walk has greatly added to my own awareness of Concord as well as the artists who created installations for the six stops listed. Because Art Walk has been up for a week with just a few more ahead, I’ll post quickly now. I want to spread the word so people who live close enough can go before it’s gone. Then I’ll hope to post a more comprehensive sequel later in May, including one key installation* I didn’t get to visit yet.
Metal Preserves and Transforms Features of Trees in Art by Ed Shay and Letha Wilson
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Meet the Statues: Domingo Faustino Sarmiento | January 12, 2021 — Friends of the Public Garden
Beloved by Argentinians, educator, statesman, and writer Domingo Faustino Sarmiento rose from country schoolmaster to become president of his country (1868–74). The bronze, stiffly posed statue of him now looks down Commonwealth Avenue Mall from the Gloucester-Hereford Street block. Sarmiento founded his country’s public education system, inspired by Horace Mann’s efforts for universal public education… Meet […]
Winter Weather Combines with Outdoor Art: Monique Aimee’s Brine Tanks Mural, James Tyler’s Ten Figures
Photos from recent winter visits add perspective and updates to earlier posts in other seasons.
Murals by Sophy Tuttle, Solei, and Ann Lewis Highlight Pumphouses on the Charles River Esplanade
More than a year ago, three artists adorned all sides and surfaces of three different pumphouses on the Esplanade. I had meant to connect and celebrate these accomplishments at that time. Now at the start of a new year, I can do that with additional appreciation of their presence. Though pumphouses along the Charles River have always been essential in regulating water drainage, their cement block structures were neglected and defaced until funds from the Esplanade Association allowed artists to transform their appearances in 2019.
Art Grows from Trees: Alan Sonfist and Richard Rosenblum at deCordova
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.
Artists Help Us Learn from Trees: Maren Hassinger and Josephine Halvorson at deCordova Sculpture Park
Josephine Halvorson’s Measure (Tree) and Maren Hassinger’s Monuments 3 and 6 have expanded my range in relating to trees. That is true for several other artworks at deCordova Sculpture Park and Museum, so I’ll hope to follow up in future posts with more examples. But I’ll start with these two artists because their processes give specific attention to trees. Measure (Tree) involved the artist in close observation while painting a tree’s elements onto a wooden plank. Both Monuments involved many people in carefully weaving assorted branches of local trees into geometric structures and patterns. Quotes from the Trustees website explain more. Links to each artist’s site offer context. My photos give glimpses of the presence of these artworks among trees in the park in different seasons.
Arlington’s Artist-in-Residence Michelle Lougee Highlights the Existence of Persistence on the Bikeway
Many hands and minds created each of nearly forty unique forms installed among the trees two months ago to survive four seasons of New England weather. Their shapes and textures have become more distinct since October’s shade from autumn leaves has gone. Like others who use the bikeway, I’ll watch for ways the art will change with wind, snow, sleet and sunlight. And I’ll keep thinking of the meanings of “persistence.” Meanwhile, here are quotes, links, and images that should reveal the resourcefulness, resilience, and reasoning that have carefully kept this prescient project going.
Mural for the Movement Makes Statements in Many Languages with Faces, Flags, and Fist in front of MFA Boston
After visiting the mural “No Weapon Formed Against Thee Shall Prosper,” currently on the Huntington Avenue lawn of the Museum of Fine Arts, I want to urge everyone in the Boston area to see it before it leaves November 19, 2020. So, this quick post includes photos, quotes and resources that could help you appreciate the mural in person, or at least through connected stories about it.
Louise Nevelson and Ruth Bader Ginsburg Briefly Share Space and Spirit
Since 1985, Louise Nevelson’s painted steel sculpture, Night Wall 1, has stood 12 feet tall on a lawn edged by several Harvard University buildings, including the law school library ( Langdell Hall). Last week for the first time I found a way to post about this admired art and artist, though I had meant to many times for many years. At the start of the Jewish New Year, 5781, Louise Nevelson’s monumental sculpture kept a steady silent vigil in view of a steadily growing memorial for Ruth Bader Ginsburg.
Art Outdoors 