Engulf mural , Lincoln Street Triangle, about three blocks southwest of South Station, created by Juan Travieso in 2019 is up through October 2021. Sometimes obscured by cars and trucks in its adjacent parking lot, the long low wall space is notably less visible from a distance than the tall Greenway mural wall in Dewey Square. Additionally, the mural’s lifespan has coincided with pandemic limitations on travel and social activity. I’ve visited twice and hope to go again before it’s gone, while wishing I could do more to convey the visual drama and mystery generated by Juan Travieso ‘s Engulf.
All I can offer so far is to post segments of the mural with captions quoted from the Artist Statement to focus on the issues that are motivating Juan Travieso’s creative work. This should help me recall what I saw at the wall and discover design elements I didn’t absorb at the time. Maybe it will connect with someone who missed the chance to be there, or might still have that chance.
Begin with a new installation Confluence by Laurie Bogdan and Kimberley Harding. Then follow a path enriched by continuing presence of earlier installations, : Colony III, Current, Persistence, ExtraOrdinary Birds.
My visit to “Honoring the past, seeding the future,” the newest Grove Hall murals, extended my own range of travel after too long a time. Simply walking a few blocks around their location (on and near 345 Blue Hill Avenue) offered such an abundance of promising connections that I must now choose a few of many for focus in this post. Here are the chosen three.
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
Sculpture by Leslie Wilcox, Poetry by Jessie Brown, Chairs Transformed by Many Artists: This post honors an inspiring event last Saturday (8/21/21) that reminded me, yet again, of how much public art keeps offering no matter how many challenges continue. Walking among at least thirty chairs and six tall trees with unique creative identities, I began to understand they all shared histories extended by artists’ careful appreciative attention. Also most chairs there were made with wood, so crafted originally from trees. Musical performances, poetry reading, artist talk, and many other happenings were free for anyone who visited the lawn of the historic Jason Russell House near Arlington Center.
That led me to this quick post ( with links, quotes, and key resources in red type) because the chairs are only up for bidding until September 5:
For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.
Whether or not you go inside the Museum of Fine Arts, on the front lawn you will find rich offerings by artists and curators attentive to soil, sun, sea, community, and history. One morning in early August, I joined other visitors enthralled by plantings and perspective in the collaborative venture called “Garden for Boston.” Delighted by discoveries, I’ll share a few of my iPhone photos with quotes from enlightening resources on the MFA website and other specified links.
View two of a few recent additions to visual art in Harvard Square. I’ll save the rest for future posts. Both artworks involve creative use of fabric. Both are in settings that don’t always enhance viewing or documenting art. But as Patricia Thaxton notes on her printed mural “The Beauty of Everyday Living,” it is about joy and harmony “in spite of it all,…”, including unavoidable traffic, trash, and construction equipment. See photos, quotes, and links:
The person I saw painting attractive images on Science Center Plaza said she was not an artist, but she was creating interactive art to engage people with rich resources from the Harvard Museums of Science and Culture while the physical doors are still closed to visitors. She noted that the paintings on the plaza would be power-washed away in a few weeks. So once again I’ll post quickly to speed the news about temporary art before it goes.
In 1980, artist Juliet Kepes designed five bronze birds for the brick walls of Clarendon Avenue Park in Cambridge. A longtime admirer of her children’s book illustration, I wasn’t aware of her range of creative work until a few years ago when I read the Cambridge Arts/ Public Art listing below. By the time I managed to visit the park in 2019, it was closed off for extended renovations after almost forty years of use. ….
Recently I learned that the renovated park had opened, so I headed there one early evening in July. The bronze birds were back, set against a stone wall that replaced their brick background. Floral plantings enhanced their new setting, with the promising addition of a flowing plant-patterned fence that certainly added to my appreciation of the whole park.
Art Outdoors 