Sculpture by Leslie Wilcox, Poetry by Jessie Brown, Chairs Transformed by Many Artists: This post honors an inspiring event last Saturday (8/21/21) that reminded me, yet again, of how much public art keeps offering no matter how many challenges continue. Walking among at least thirty chairs and six tall trees with unique creative identities, I began to understand they all shared histories extended by artists’ careful appreciative attention. Also most chairs there were made with wood, so crafted originally from trees. Musical performances, poetry reading, artist talk, and many other happenings were free for anyone who visited the lawn of the historic Jason Russell House near Arlington Center.
That led me to this quick post ( with links, quotes, and key resources in red type) because the chairs are only up for bidding until September 5:
For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.
Whether or not you go inside the Museum of Fine Arts, on the front lawn you will find rich offerings by artists and curators attentive to soil, sun, sea, community, and history. One morning in early August, I joined other visitors enthralled by plantings and perspective in the collaborative venture called “Garden for Boston.” Delighted by discoveries, I’ll share a few of my iPhone photos with quotes from enlightening resources on the MFA website and other specified links.
View two of a few recent additions to visual art in Harvard Square. I’ll save the rest for future posts. Both artworks involve creative use of fabric. Both are in settings that don’t always enhance viewing or documenting art. But as Patricia Thaxton notes on her printed mural “The Beauty of Everyday Living,” it is about joy and harmony “in spite of it all,…”, including unavoidable traffic, trash, and construction equipment. See photos, quotes, and links:
The person I saw painting attractive images on Science Center Plaza said she was not an artist, but she was creating interactive art to engage people with rich resources from the Harvard Museums of Science and Culture while the physical doors are still closed to visitors. She noted that the paintings on the plaza would be power-washed away in a few weeks. So once again I’ll post quickly to speed the news about temporary art before it goes.
In 1980, artist Juliet Kepes designed five bronze birds for the brick walls of Clarendon Avenue Park in Cambridge. A longtime admirer of her children’s book illustration, I wasn’t aware of her range of creative work until a few years ago when I read the Cambridge Arts/ Public Art listing below. By the time I managed to visit the park in 2019, it was closed off for extended renovations after almost forty years of use. ….
Recently I learned that the renovated park had opened, so I headed there one early evening in July. The bronze birds were back, set against a stone wall that replaced their brick background. Floral plantings enhanced their new setting, with the promising addition of a flowing plant-patterned fence that certainly added to my appreciation of the whole park.
I wish my words or photos could convey the sense of being in the presence of this important installation in Menotomy Rocks Park. Certainly I want to return there and to get others in or near Arlington to go too. Also I want people who can’t go to still appreciate the energies, organization, and interplay involved in such ventures. So I offer this quick post now with links and quotes that might lead you further in than I’ve yet been
To follow up on earlier posts, here are views from recent rides ( June 2021) on the bike path through Arlington and Somerville, plus links to rich resources about both artists and community arts organizations.
Jaume Plensa’s Humming came to deCordova Sculpture Park almost ten years ago, generating innumerable reminders of how powerful sculpture can be. As a guide at the park, Humming has given me reliable ways to connect with others about how and why a tall translucent entrancing head might come to be. Humming has brought perspective to other art in the park, and it has led me to more sculpture by the same artist as well.
The two photos above are from installations I had hoped to include in my quick post about ARTFEST a week earlier. Both installations interact with varying light, air currents above, and beings below. In this promised swift sequel I try to offer photos, quotes, and links that will lead you closer to those experiences online or in person.
Art Outdoors 