Category Contemporary Sculpture
Jaume Plensa’s Sculptures Make Many Meaningful Connections
Jaume Plensa’s Humming came to deCordova Sculpture Park almost ten years ago, generating innumerable reminders of how powerful sculpture can be. As a guide at the park, Humming has given me reliable ways to connect with others about how and why a tall translucent entrancing head might come to be. Humming has brought perspective to other art in the park, and it has led me to more sculpture by the same artist as well.
Look Up at Significant Symbols in Concord for the Umbrella ARTFEST
The two photos above are from installations I had hoped to include in my quick post about ARTFEST a week earlier. Both installations interact with varying light, air currents above, and beings below. In this promised swift sequel I try to offer photos, quotes, and links that will lead you closer to those experiences online or in person.
African Masks Generated Art in Restored Sculptures by Vusumuzi Maduna
In the early 1980’s artist Vusumuzi Maduna created two monumental sculptures inspired by African masks; “Inner City Totem I” outside the Cambridge Community Center and “Inner City Totem II” outside Margaret Fuller House. Sadly stressed by decades of New England seasons, both were recently restored in ways that should help them stand through countless decades ahead. Here are photos from my visits to each site this month with quotes from key resources about the art, artist, and restoration.
Artists Help Us Learn from Trees: Maren Hassinger and Josephine Halvorson at deCordova Sculpture Park
Josephine Halvorson’s Measure (Tree) and Maren Hassinger’s Monuments 3 and 6 have expanded my range in relating to trees. That is true for several other artworks at deCordova Sculpture Park and Museum, so I’ll hope to follow up in future posts with more examples. But I’ll start with these two artists because their processes give specific attention to trees. Measure (Tree) involved the artist in close observation while painting a tree’s elements onto a wooden plank. Both Monuments involved many people in carefully weaving assorted branches of local trees into geometric structures and patterns. Quotes from the Trustees website explain more. Links to each artist’s site offer context. My photos give glimpses of the presence of these artworks among trees in the park in different seasons.
Arlington’s Artist-in-Residence Michelle Lougee Highlights the Existence of Persistence on the Bikeway
Many hands and minds created each of nearly forty unique forms installed among the trees two months ago to survive four seasons of New England weather. Their shapes and textures have become more distinct since October’s shade from autumn leaves has gone. Like others who use the bikeway, I’ll watch for ways the art will change with wind, snow, sleet and sunlight. And I’ll keep thinking of the meanings of “persistence.” Meanwhile, here are quotes, links, and images that should reveal the resourcefulness, resilience, and reasoning that have carefully kept this prescient project going.
Chris Frost Builds Two New Birdhouses for the Bikeway in Arlington before Taking Colony Down
After more than two years of winning devoted fans and welcoming many special guests, “Colony” created by Christopher and Basil Frost is due to depart before October ends. When I visited for an emotional last look, I was glad to find that two new birdhouses nearby were ready for first looks, both full of their own appeal and promise.
Louise Nevelson and Ruth Bader Ginsburg Briefly Share Space and Spirit
Since 1985, Louise Nevelson’s painted steel sculpture, Night Wall 1, has stood 12 feet tall on a lawn edged by several Harvard University buildings, including the law school library ( Langdell Hall). Last week for the first time I found a way to post about this admired art and artist, though I had meant to many times for many years. At the start of the Jewish New Year, 5781, Louise Nevelson’s monumental sculpture kept a steady silent vigil in view of a steadily growing memorial for Ruth Bader Ginsburg.


