Category environmental sculpture
Breathe in Energy of 2021 Art Ramble: “Something in the Air”
My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.
“Arboreal Attire” and “Chairful Where You Sit” Extend History around Jason Russell House in Arlington
Sculpture by Leslie Wilcox, Poetry by Jessie Brown, Chairs Transformed by Many Artists: This post honors an inspiring event last Saturday (8/21/21) that reminded me, yet again, of how much public art keeps offering no matter how many challenges continue. Walking among at least thirty chairs and six tall trees with unique creative identities, I began to understand they all shared histories extended by artists’ careful appreciative attention. Also most chairs there were made with wood, so crafted originally from trees. Musical performances, poetry reading, artist talk, and many other happenings were free for anyone who visited the lawn of the historic Jason Russell House near Arlington Center.
That led me to this quick post ( with links, quotes, and key resources in red type) because the chairs are only up for bidding until September 5:
Circles Unify Art by Laura Baring-Gould and Mags Harries/Lajos Héder in Drinking Fountains Revived Around Fresh Pond Reservoir
For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.
Many People Play a Part in Art Installation by Nilou Moochhala in Menotomy Rocks Park, Arlington
I wish my words or photos could convey the sense of being in the presence of this important installation in Menotomy Rocks Park. Certainly I want to return there and to get others in or near Arlington to go too. Also I want people who can’t go to still appreciate the energies, organization, and interplay involved in such ventures. So I offer this quick post now with links and quotes that might lead you further in than I’ve yet been
Connect to Concord with “Change is in the Air: Art Walk” through May
Following the map for Umbrella Artfest Earth Day Art Walk has greatly added to my own awareness of Concord as well as the artists who created installations for the six stops listed. Because Art Walk has been up for a week with just a few more ahead, I’ll post quickly now. I want to spread the word so people who live close enough can go before it’s gone. Then I’ll hope to post a more comprehensive sequel later in May, including one key installation* I didn’t get to visit yet.
Metal Preserves and Transforms Features of Trees in Art by Ed Shay and Letha Wilson
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Artists Myoung Ho Lee and B. Wurtz both Focus on Single Trees at deCordova Sculpture Park
Artists Myoung Ho Lee and B. Wurtz both focus carefully on single trees in these two samples from larger projects that reflect their own unique creative processes. Their artworks thrive on the trees and sky through seasonal or daily changes of their current settings in deCordova Sculpture Park. My iPhone photos here hint at those, while quotes give basic background. Links (in red) to intriguing resources reveal fascinating features of both artists’ approaches and results.
Art Grows from Trees: Alan Sonfist and Richard Rosenblum at deCordova
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.
Artists Help Us Learn from Trees: Maren Hassinger and Josephine Halvorson at deCordova Sculpture Park
Josephine Halvorson’s Measure (Tree) and Maren Hassinger’s Monuments 3 and 6 have expanded my range in relating to trees. That is true for several other artworks at deCordova Sculpture Park and Museum, so I’ll hope to follow up in future posts with more examples. But I’ll start with these two artists because their processes give specific attention to trees. Measure (Tree) involved the artist in close observation while painting a tree’s elements onto a wooden plank. Both Monuments involved many people in carefully weaving assorted branches of local trees into geometric structures and patterns. Quotes from the Trustees website explain more. Links to each artist’s site offer context. My photos give glimpses of the presence of these artworks among trees in the park in different seasons.
Arlington’s Artist-in-Residence Michelle Lougee Highlights the Existence of Persistence on the Bikeway
Many hands and minds created each of nearly forty unique forms installed among the trees two months ago to survive four seasons of New England weather. Their shapes and textures have become more distinct since October’s shade from autumn leaves has gone. Like others who use the bikeway, I’ll watch for ways the art will change with wind, snow, sleet and sunlight. And I’ll keep thinking of the meanings of “persistence.” Meanwhile, here are quotes, links, and images that should reveal the resourcefulness, resilience, and reasoning that have carefully kept this prescient project going.
Art Outdoors 