Category history
Metal Preserves and Transforms Features of Trees in Art by Ed Shay and Letha Wilson
Ed Shay’s ten-foot-tall bronze “Acadian Gyro” entered deCordova Sculpture park about three decades ago. Letha Wilson’s nearly as tall cor-ten steel sculpture “Hawaii California Steel(Figure/Ground)” came in about two years ago. Until now I hadn’t considered their common key elements: 1) attention to the forms of leaves and branches, 2) expressive rendering of those forms in durable metals ( bronze and steel) 3)relation to the seasonally changing foliage of nearby trees. My awareness grew from posting about four more obviously tree-related artworks in the park and noting further connections. Though I have been a volunteer guide in the park for almost two decades, this focus led me deeper into resources with heightened reasons to share them.
Wonders of Children’s Books Wait within the Solomon Gate, Designed by Höweler + Yoon Architecture
If you enter Harvard Yard from Quincy Street near its intersection with Massachusetts Avenue, watch for the rushing rabbit, grinning cat, top hat, and other small images in the tall black ironwork of the gate completed in December 2020. These might entice you to stop and look for more connections to “Alice in Wonderland” or to a world of children’s books.
African Masks Generated Art in Restored Sculptures by Vusumuzi Maduna
In the early 1980’s artist Vusumuzi Maduna created two monumental sculptures inspired by African masks; “Inner City Totem I” outside the Cambridge Community Center and “Inner City Totem II” outside Margaret Fuller House. Sadly stressed by decades of New England seasons, both were recently restored in ways that should help them stand through countless decades ahead. Here are photos from my visits to each site this month with quotes from key resources about the art, artist, and restoration.
Winter Weather Combines with Outdoor Art: Monique Aimee’s Brine Tanks Mural, James Tyler’s Ten Figures
Photos from recent winter visits add perspective and updates to earlier posts in other seasons.
Art Grows from Trees: Alan Sonfist and Richard Rosenblum at deCordova
Sonfist’s The Endangered Species of New England has been part of the Sculpture Park since 2013. Rosenblum’s Venusvine, created 1990, has been there since 1996. Both artworks reflect their artists’ deeply rooted work with trees. Both are metal renderings of natural forms. Both artworks have decisive locations in the park. They’ve held their ground while other artworks have moved around, left or entered in recent years.
Louise Nevelson and Ruth Bader Ginsburg Briefly Share Space and Spirit
Since 1985, Louise Nevelson’s painted steel sculpture, Night Wall 1, has stood 12 feet tall on a lawn edged by several Harvard University buildings, including the law school library ( Langdell Hall). Last week for the first time I found a way to post about this admired art and artist, though I had meant to many times for many years. At the start of the Jewish New Year, 5781, Louise Nevelson’s monumental sculpture kept a steady silent vigil in view of a steadily growing memorial for Ruth Bader Ginsburg.
Colorful Characters Brighten Brine Tanks: Mural by Monique Aimee in Cambridge
Selected and funded by Percent-for-Art program in Cambridge, Monique Aimee proposed, planned, and painted her mural on all sides of the four tall brine tanks along the lot for Saint Peter’s Field. She began near the end of June and finished near the end of August. My photos here come from a few visits there throughout the summer. The links should take you to videos and exciting photos of the work in progress on Monique Aimee’s Instagram site: https://www.instagram.com/moniqueaimee/ The quotes here should give background that lets you visit in person or online.
John Tagiuri’s Art Can Open Doors in Surprising Ways
The two giant paintbrush “door pulls” created by John Tagiuri for Maud Morgan Visual Arts in 2009 when the center first opened now must wait for a post-lockdown reopening, whenever that will be. Meanwhile my attention to these and other artworks outside the center pulled me into John Tagiuri’s website, which is rich in samples of his other projects, all displaying unique combinations of strong concepts with playful twists. From those, I located the towering endless-column lamps over the basketball court in Sennott Park, at Broadway, Cambridge.

