My goal now is to get the word out about a wonderful way to get away, though this temporary exhibit in Concord’s Hapgood Wright Town Forest won’t let you get away from the issues of climate change. I went once last week and hope to return as often as possible before the last day, November 8. I hope to post again with more photos and reflections on water, but here are quotes and links to lead you into the forest, around the pond, with art and poetry.
Selected and funded by Percent-for-Art program in Cambridge, Monique Aimee proposed, planned, and painted her mural on all sides of the four tall brine tanks along the lot for Saint Peter’s Field. She began near the end of June and finished near the end of August. My photos here come from a few visits there throughout the summer. The links should take you to videos and exciting photos of the work in progress on Monique Aimee’s Instagram site: https://www.instagram.com/moniqueaimee/ The quotes here should give background that lets you visit in person or online.
Endurance is a quality shared by the turtle sculptures in this post. Lilli Ann Roseberg’s colorful concrete turtles in Cambridge have been ridden, jumped on, snowed in, flooded over and lots more in the past three decades. Nancy Schön’s bronze Myrtle the Turtle was bound up and relocated within Boston’s Myrtle Street Playground soon after settling in last year. These sculptures endured isolation while playgrounds were closed in the spring and then cautiously reopened.
Four distinctive paintings appeared on the bike path in Somerville and Cambridge this summer. None are signed but all contain the same heart emblem and related design elements. I post now to share these elegant images and to ask for help in identifying the artist(s), process and maybe more places to admire such alluring art.
The brilliant new mosaic mural above the Moses Youth Center entrance radiates reminders of its history and promise. While not much could happen inside through the summer 2020, the Moses Mosaic had been collaboratively created by community youth and artists before the pandemic began. So, in early July after weeks of labor-intensive installation, the Moses Mosaic was ready for public view.
Judy McKie’s bronze cat benches and Jay Coogan’s aluminum dogs and cats were kept off location during extensive construction of Cambridge Public school and library properties where they had become favorite features. Soon after they returned ready to resume their roles, the closing of all schools and libraries in March 2020 cut short the opportunities for children and adults to interact with them again. Though I had found opportunities to admire and photograph these artful animals, I didn’t want to share the images until the sculptures could be part of daily life once more.
While kept apart from most indoor art throughout the spring of 2020, I became especially grateful for the outdoor art in Radcliffe Yard. I managed to post about one sculpture then, with intentions to mention more. Here now is a broader view that encompasses other highlights of Radcliffe Yard.
This week I enjoyed Walking Poetry in Arlington and Poetry on the Path in Somerville. Both added to my awareness of when, how, and where a poem can move people. I should post swiftly and simply with quotes, links, and photos that let anyone who lives near these locations experience poems that may be elsewhere in a week or two.
Photos, quotes, and links related to the Mystic River Mural Project focus on the most recent additions, affirming the project’s persistent powers.
As playgrounds have cautiously reopened, I can happily share photos of art by Mitch Ryerson and Gail Boyajian. This lifts my own sad restrictions on earlier posts about these artists and others with work outside Maud Morgan Arts. Now I can show and celebrate art that was meant to be where children play.
Art Outdoors 