In May 2017, Jessie Unterhalter and Katey Truhn incorporated every outer inch of a building, including roof, steps, and chimneys into a colorful commanding work of art. They responded inventively to the dimensions and angles of the space; they chose challenging materials as well. More than two years later their installation still stands out and draws us in.
Six weeks over and just two weeks left, I took the golden opportunity of a sunlit October morning to take the trail through Hapgood-Wright Town Forest around Fairyland Pond and enjoy fourteen temporary art installations connected by the theme, Witnessing Change. I hope to go again before it ends November 1 and to convince anyone who can to go as well. Each stop on Art Ramble 2019 offers an enlightening way to engage with some aspect of the forest.
Ways to Witness Earth Press Project: WITNESS in the next few weeks: 1. Visit the real installation before November, 2. Visit Nancy Winship Milliken Studio website. 3. Visit NPS website for Minute Man National Historical Park. 4. Visit website for the Umbrella, Arts and Environment. Any or all of the above will give you a sense of the complicated steps, interactions, and connections within a seemingly simple structure.
Yet again I feel compelled to post without the revisiting, rereading, and rethinking I like to do before pushing the Publish button on this Wordpress site. George Sherwood’s kinetic sculpture exhibit Wind, Waves & Light, Art in Motion, will end on October 14, 2019. Tower Hill Botanic Garden will continue and develop through the years ahead. I certainly want to see more of both, but first I must urge as many people as possible to plan to go before the sculptures leave.
Wishing I could keep up with the mural-making by these productively energetic creative artists, I will at least show their momentarily newest murals and share links where you can appreciate each artist in action.
The more I learn about sculpture by Katharine Lane Weems (1898 — 1989), the more I admire the art, the artist and the animals. An earlier post about two rhinos, Bess and Victoria, installed 1937 in Cambridge led me on to sites in Boston with work by this artist “famous for her realistic portrayals of animals.” Her art combined scientific accuracy, meticulous renderings, and creative design to bring out the animals’ majesty and character. This post notes four places in Boston to be in the presence of her elegant animals.
Alerted by the Somerville Arts Council newsletter, I found my way to “Annex,” Christopher Frost’s newly completed installation on the Somerville Community Path bike trail near Willow Avenue.
Starting with one of the newest of many murals by Silvia López Chavez, I want to share some images, notes, and rich resources that convey my enthusiasm for her art and process. For the three murals in this post, as well as plenty more, the artist’s website includes excellent photos that document stages of her work and inspiring stories related to the art.
For several years ( since 2013) David Phillip’s bronze turtles, frogs, spheres and connecting features have captivated visitors in Playspace, the lively popular playground on the Esplanade. Recently I renewed my appreciation of their subtly balanced momentum and how readily they stimulate stories.
Pasture Song at deCordova, was originally scheduled to depart this summer. What great news that it will stay another year! ….Meanwhile another time-sensitive matter has sped up my posting about Nancy Milliken’s work. That is Earth-Press Project: Witness, which calls on all of us to each offer one word that might be imprinted in an adobe block of earth for an installation at Minute-Man National Historic Park in Lincoln.
Art Outdoors 