Walking Somerville Community Path from Willow Ave toward Grove Street (near Davis Square), watch for hints of nesting in Christopher Frost’ s “Annex” and note the wide-spread wings of the newly landed Raven in “a Free Range Sculpture Garden.” 

By  a ballfield  in North Cambridge ( Rindge Field) since 1983, two brick beings by David Judelson have faced each other supported by pertinent names, equipment, and stories. In recent years I had visited them with vague plans to post about them, though waiting for a way to focus. Then this spring when walks with face coverings became one of  the few recreational options, I discovered that Brickworker and Ballplayer had been outfitted in response to the pandemic.

The previous post showed Gail Boyajian’s “Bird Mosaic ” in the memorial garden with David Phillips’ marking stone. This one leaps to the top of Maud Morgan Arts where his paintbrush-and-palette weathervane shifts directions with the wind. Next it takes in the whole building’s exterior design to identify other artists’ contributions that should get focus in future posts.

While museums and art centers must be closed, I’ve opened my eyes to art outside their doors. Today I’ll focus on “Bird Mosaic” by Gail Boyajian in the memorial garden to the right of the gate to Maud Morgan Arts in my neighborhood. Planned sequel posts should show and tell more about the art center and the garden (Mary’s Garden).

None of the animal sculptures in this post are very new to the Somerville Community Path, and I have visited them all before. Mainly I delayed posting about them because I wanted to learn more about each one. So far my usual online research has not led to informative links I’d like to share.

This week though, with playgrounds closed and other outdoor options limited, the bike paths beckon people of all ages. Along the path, intriguing artworks await our attention and give pleasure by their presence. Maybe this post will lead to answers from people who made these animals or know the stories of their creation.

In honor of International Women’s Day, I will first focus on the four women artists who have created murals for Underground at Ink Block, an urban park that opened in Boston’s South End 2017. I have already enthusiastically posted about other murals by Silvia López Chavez and Imagine876 (Sneha Shrestha), but Thy Doan and Indie184 (Soraya Marquez) are new discoveries for me.

These three murals within three blocks of each other build on local history and also have histories of their own, revealed as I lately took time to look at them and look online about them. A great resource was Lisa Houck’s documenting of the processes and people involved in restoring her mural on her blog and website. I hope now that the other murals noted here can get similar support to regain clarity, color, and impact. 

A sudden flurry of bird activity in my yard this past weekend got me out on the mild Monday, February 3, to revisit three artworks in easy walking distance from each other: Extraordinary Ordinary Birds, “Colony,” and “Penny the Swan.” All three added to my appreciations of birds and art.

The photos in this post come from January 1, 2020, the last time I visited Elliott Kayser’s eight ceramic pigs along the Rose Kennedy Greenway. They had kept their stations well for almost a year. Now that the Year of the Pig is almost over they are gone!

From a very informative Greenway blog post, I have learned that five of the pigs have moved on to the Fuller Craft Museum in Brockton. Chiefly the blog post clearly tells a story with great photos of ten steps involved in creating the pigs. If you wondered about the origins or future of these sculptures, about 250 pounds each, read that blog post.

Today I want to note this one of many murals by Rob “Problak” Gibbs and share some ways it adds to my awareness of what a mural can do. This one can actively demonstrate hand signs for its title when you view it through an app in your device. My post, so far, won’t directly reveal the actions but gives you links to see them or, better yet, go to the wall on Tremont Street at Camden Street, where you can enliven them yourself.