Since The Kip Tiernan Memorial near Old South Church in Copley Square was dedicated in early October 2018, I have walked through and also paused there several times. My photos in different seasons suggest how the sheltering structure subtly directs our flow and where we stop to read Kip Tiernan’s words. I feel that the design and details function as intended, to enhance memories and convey an overarching mission.
I visited Alicja Kwade’s TunnelTeller at Castle Hill in Ipswich in mid-November and hope to do so a few more times before it goes on April Fools’ Day! This post shows my photos of Kwade’s impressive work , including outdoor art at MIT. It provides links to more persuasive photos and information. I’m posting now so local friends and colleagues can plan to go before Kwade’s art has gone.
Four of Madeleine Lord’s scrap-metal sculptures have enlivened the lawn of Federal Reserve Bank of Boston for at least four years now. Through those years I have wanted to post about them but hoped to take better photos and learn more about the artist first. Earlier in November I got to see more of her art in the New England Sculptors Association exhibition Spirit of Place at Castle Hill. I still need to take good photos, but I can link you to strong ones on the artist’s website and two other sites listed below. Those sites also offer fascinating information about Madeleine Lord’s art and process, such as her statement here.
David Phillips is a sculptor; David Fichter is a muralist. With their distinctly different materials, both are masters of rendering historical figures and events. Both have created public art that is densely packed with researched images and documents. As public art, the expansive colorful mural and the tactile intimate bronze relief wait openly for anyone who wants to focus on some sign or scene and make their own associations.
In May 2017, Jessie Unterhalter and Katey Truhn incorporated every outer inch of a building, including roof, steps, and chimneys into a colorful commanding work of art. They responded inventively to the dimensions and angles of the space; they chose challenging materials as well. More than two years later their installation still stands out and draws us in.
Six weeks over and just two weeks left, I took the golden opportunity of a sunlit October morning to take the trail through Hapgood-Wright Town Forest around Fairyland Pond and enjoy fourteen temporary art installations connected by the theme, Witnessing Change. I hope to go again before it ends November 1 and to convince anyone who can to go as well. Each stop on Art Ramble 2019 offers an enlightening way to engage with some aspect of the forest.
Ways to Witness Earth Press Project: WITNESS in the next few weeks: 1. Visit the real installation before November, 2. Visit Nancy Winship Milliken Studio website. 3. Visit NPS website for Minute Man National Historical Park. 4. Visit website for the Umbrella, Arts and Environment. Any or all of the above will give you a sense of the complicated steps, interactions, and connections within a seemingly simple structure.
Yet again I feel compelled to post without the revisiting, rereading, and rethinking I like to do before pushing the Publish button on this Wordpress site. George Sherwood’s kinetic sculpture exhibit Wind, Waves & Light, Art in Motion, will end on October 14, 2019. Tower Hill Botanic Garden will continue and develop through the years ahead. I certainly want to see more of both, but first I must urge as many people as possible to plan to go before the sculptures leave.
Wishing I could keep up with the mural-making by these productively energetic creative artists, I will at least show their momentarily newest murals and share links where you can appreciate each artist in action.
The more I learn about sculpture by Katharine Lane Weems (1898 — 1989), the more I admire the art, the artist and the animals. An earlier post about two rhinos, Bess and Victoria, installed 1937 in Cambridge led me on to sites in Boston with work by this artist “famous for her realistic portrayals of animals.” Her art combined scientific accuracy, meticulous renderings, and creative design to bring out the animals’ majesty and character. This post notes four places in Boston to be in the presence of her elegant animals.
Art Outdoors 