Category political issues

A Statue and a Stamp Shed Lights on the Life of Sculptor Edmonia Lewis

A public radio segment about sculptor Edmonia Lewis (1845-ca. 1909) recently roused me to order a sheet of newly issued stamps honoring her and then to seek out the marble monument she made 150 years ago for a family lot in Mount Auburn Cemetery. Stories behind the new stamp and the long-standing sculpture led to more revelations about the artist’s life, through resources I will share here with quotes and links.

Bronze Sculptures by Cyrus Dallin in Arlington Combine History and Humanity

New important plantings around Cyrus Dallin’s long-standing sculpture (since 1912) on the lawn of the Museum of Fine Arts Boston this summer made me realize how much I did not know about the sculptor. That led me to Arlington, where some of his significant works have braved all weather for over a century, and where the Cyrus Dallin Art Museum has developed valuable online resources about his works. A winter lull finally let me review my summer notes and photos for Dallin’s art in Arlington, where he lived in the first half of the twentieth century. Now I need to share some fascinating aspects of his art.

Public Art Personalities Greet the Season Together on Palmer Street in Harvard Square

Analog the Sphinx Dog and Wapiti the Green Elk recently joined Michelle the Blue Elephant on Palmer Street in Harvard Square. All three stand with slender sturdy legs on narrow skis. All three are creatively constructed from various recycled materials, adorned with objects, and decorated festively. All three are called Skraelings by Bob Smith (of Minimum Wage Art), who describes them in the following quote: “These being(s) are super heroes that are made from wood, metal, even plastic, all castoff materials from an overly materialistic society. Skraelings fight boredom and apathy in all dimensions of time and space.” ….

We Become Aware of Active Air through 2021 Art Ramble in Hapgood Wright Town Forest

Based on September and October visits to 2021 Art Ramble, I add this fourth post, which features installations by BARD, Martha Heller, and Kiyomi Yatsuhashi. As in the three earlier posts, artist names, installation title, materials and quotes from the artists’ statements about their installations appear above my photos. Quotes and links are from The Umbrella Arts & Environment Website headed 2021 Art Ramble: Something in the Air. 

Artists Reshape Forest Spaces during 2021 ART RAMBLE “Something in the Air”

Curated by Laurie Bogdan and Kimberley Harding; Hapgood Wright Town Forest in Concord, MA, September 1 – November 14…The Umbrella site 2021 Art Ramble: “Something in the Air” lists the sixteen artists’ bios, websites, and statements about their artwork, as well as audio versions to access as you move along.I visited in September and October, followed by posts, each focusing on four installations. This third post connects four more through their relation to the forest’s trees, shadows, and light while always aware of the air.

Art Raises Many Related Questions in Amazing Ways on the Boston Common: “What Do We Have in Common?” by Janet Zweig, now through October 24

Presented by NOW+THERE and Friends of the Public Garden, through wonderfully welcoming, attentive, versatile Guides.
I’ll post very quickly in case anyone who lives nearby can visit the Boston Common before this brief opportunity ends. I plan to return and post with more connections. Meanwhile here are a few photos from my first visit two days ago, with quotes from two informative rich resources: NOW+THERE and Friends of the Public Garden.

Take Time to Take in Juan Travieso’s Mural, Engulf, on the Greenway in Boston

Engulf mural , Lincoln Street Triangle, about three blocks southwest of South Station, created by Juan Travieso in 2019 is up through October 2021. Sometimes obscured by cars and trucks in its adjacent parking lot, the long low wall space is notably less visible from a distance than the tall Greenway mural wall in Dewey Square. Additionally, the mural’s lifespan has coincided with pandemic limitations on travel and social activity. I’ve visited twice and hope to go again before it’s gone, while wishing I could do more to convey the visual drama and mystery generated by Juan Travieso ‘s Engulf.
All I can offer so far is to post segments of the mural with captions quoted from the Artist Statement to focus on the issues that are motivating Juan Travieso’s creative work. This should help me recall what I saw at the wall and discover design elements I didn’t absorb at the time. Maybe it will connect with someone who missed the chance to be there, or might still have that chance.

“Confluence” at Spy Pond in Arlington Flows with Grace through Time and Space

Begin with a new installation Confluence by Laurie Bogdan and Kimberley Harding. Then follow a path enriched by continuing presence of earlier installations, : Colony III, Current, Persistence, ExtraOrdinary Birds.

Breathe in Energy of 2021 Art Ramble: “Something in the Air”

My first visit this year, on a sunny September morning, should be one of many in the next two months, so I won’t try to cram in whatever can wait for future posts. That suits the spirit I sensed along the pathways of this year’s ramble, allowing time and space between, and within each installation to appreciate what the air is offering. So here are just a few photos (with excerpts from artist statements) from four of the fifteen installations as samples of what you might see if you can go or explore online if you live elsewhere.

Circles Unify Art by Laura Baring-Gould and Mags Harries/Lajos Héder in Drinking Fountains Revived Around Fresh Pond Reservoir

For many months of the pandemic, these drinking fountains were shut down (sometimes covered over) sadly signaling limits on ordinary routines and extraordinary art experiences. When the fountains around Fresh Pond became available again, I wanted to honor their functional and creative qualities. I began to see circles as useful frames for water and also design elements in art, as the artists must have from the start.